![]() ![]() lair, legendary, and unique are all qualities the monster entry might have.environments is a comma-separated list of environments the monster can be found in.You can also use terms like "any good", "non-evil", etc. You can include multiple alignments by separating them by commas or the word or. However, it will also attempt to parse what you've written to determine what alignments are allowed. Whatever you write will be presented to the user as-is in the alignment field in KFC. All punctuation is removed, hyphens are placed between each word, and it's written entirely lower-case. Finally, note how "Aerisi Kalinoth (in lair)" is translatd to aerisi-kalinoth-in-lair.For example, all the monsters in the basic rules are also in the Monster Manual, which is the more important source, so they all use the mm code. If a monster is in multiple sources, choose the "most important" one and use the code from that.The important thing when choosing this code is that it is unique (no two sources should have the same code). All monsters from this supplement use the apoc code, which I chose arbitrarily. This monster is in the Princes of the Apocalypse supplement. ![]() Since the monster has a higher CR in its lair, it gets a separate entry. These are actually the same monster, except one is the monster in its lair and one is not.For example, consider these two monsters: The format of fid is "source.name", where source is a short code for the source the monster comes from and name is its name, with all special characters removed and dashes seperating words. fid must be unique for each monster, and should be derived from the monster's (exact!) name.See the master sheet for examples of how to fill out the sheets.Make sure you're logged into a Google account.Additionally, anyone can submit extra content to the stickied thread on /r/asmor Adding your own custom content to Kobold Fight Club A curated list of extra content is available here.
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![]() Would you like a super casual and almost sporty look? The pinned-up long hairstyle is simple. The rest of the hair is loosely brushed back into a solidly styled rolled bun on the neck. This is a chic look where the top of the head is decorated with a singular, large roll right in the middle of the head. Bows are very common in pin up hairstyles for long hair. The hair is decorated delightfully with a classic polka dot bow that matches a bold red lip. Here’s another modernized style where the rolls on top of the head are looser and the typical curls you find in these looks are actually waves instead. It forms large fingerstyle waves, only they’re larger than typical. This is a modernized retro look where the hair is very sleek and shiny and focused on one side of the head. Now we’re deviating slightly from the classic. The rest of the hair falls long and loose with curled ends. The roll ends just before a headband with a large bow decorates the hair. There’s only one roll in the hair, and it’s on one side where the bangs are. If you want a more casual hairstyle, then hairstyles like this will work wonderfully. The reddish tone of the hair goes well with bright red lips and a bold eyeliner look, and it’s a great hair color generally for retro looks. It’s a fun summer look that can also work for every day. It has two spirals hanging behind the ears and on top there are two large rolls that perfectly frame the face and add tons of volume and style.Īnother ultra classic style is showcased here, where the hair is rolled on top and pulled back into an updo. It’s one of the most recognizable pin-up hairstyles for women with long hair. There’s nothing more classic than a blonde girl with rolls in her hair. There are lots of options for you to browse and try out for yourself. If you want to go vintage with some wonderful classic pinned-up long hairstyles, then take a look below. There are some totally classic styles you should try out, and there are others with a modern twist. Play with your hair differently every day to find a style you are obsessed with. There are tons of hairstyle combinations to choose from, so you’ll never be out of options. These styles just have something special about them that makes you feel more confident when wearing them, and they’ll certainly draw lots of attention to you. You can find over 30 different tutorials in my 30 Days of Twist & Pin Hairstyles ebook.Pin-up hairstyles always look cute and gorgeous with long hair. The Twist & Pin is my favorite hairstyling technique and you can create infinite styles with this customisable look. You can use bobby pins to pin the twists to each other for more stability. Remember to take even sections to keep the twists consistent. This tutorial was created for She Knows and you can head there to see the written instructions for this Twist & Pin hairstyle. Hairstyle Tutorial: Easy Twist & Pin updo for curly hair This technique only catches only a small amount of hair but connects the twists to the rest of your hair. Instead, lightly weave the pin through your hair. If you open the pin and take in too much hair, you’ll find the pins seem to reverse out of your hair and fall out. The styling trick to keeping your bobby pins in place is not to overload the pins with hair. You must use strong, professional quality pins. It really is as easy as Twist & Pin but the style secret is all in the choice of bobby pins. For those days when your curls aren’t sitting right, try this easy Twist & Pin updo to keep all your hair up. ![]() Another inspiring musician who uses the same technique is an Australian named Xavier Rudd, who blends didgeridoo into mixes for a unique sound.Īside from a looping pedal, which you can find a wide variety of at Long &McQuade music stores in Canada, you will also probably want a drum machine. While Williams is self-taught, he has mastered many different instruments which he integrates into a big, exciting, danceable sound that blends elements of jazz, bluegrass, funk, rock and folk. He is often referred to as a one-man jam-band Williams is able to create such a rich wall of sound due to his mastery of Boss’ RC-300 Loop Station. Possibly the most notable is the Virginia born musician Keller Williams. While for some, creating loops and making up songs or grooves in their practice space is purely a matter of exploration and fun, there are those who have made entire careers of this practice. If you’re just trying to put something fun and spontaneous together in your basement, there are better ways to go about it if you have a decent budget. Serious musicians who are familiar with recording suites such as Ableton or Logic are surely capable of stacking tracks on top of tracks to build a fully produced song, but there is something a bit clinical about this process that does not lend itself well to live energy. While this terms would conjure, for most, the image of a person holding a guitar with a drum on their back – like the character Bert in Mary Poppins – moving spastically to get it all going in harmony, these days, there are much easier methods of achieving multi-instrumental bliss. The most memorable song of the night is The News, a touching ballad in the encore that has the audience eating out of his hand.At this stage in the evolution of music gear, it is not such an incredible feat to put together the equipment that can make you into a one-man band. The highlight is when Johnson performs alone. Love's forced rap doesn't do him any favours. Even Rudd's contribution on didgeridoo works, although G. Love and the accordionist join Johnson's three-piece band on stage for a jam. There's a fun go at singing Sitting, Waiting, Wishing backwards - he claims he had to learn it that way to perform it on the video - covers of Cat Stevens, Bob Marley and Sublime and a "dorky" love song partly in French, partly in Hawaiian kid-slang that's accompanied by a guy on piano accordion. Thankfully, his attempts to spice up some of the songs are well-received. And while there's nothing wrong with the music, perhaps it would be better in an intimate setting. There are, however, times when you yearn for those happy-go-lucky guitar grooves to break into something more dramatic, or for Johnson to say something, anything, to rattle the crowd. Live, his voice is more impressive than on record - mellow, sexy and effortlessly clear, especially when it soars as it does on the beautiful new song Breakdown. A man of few words, he leaves the charm to his breezy, easily recognisable songs from albums Brushfire Fairytales, On and On and In Between Dreams. ![]() That Johnson is so obviously unaffected by his success - the tour follows his number-one album In Between Dreams - is a blessing and a curse. ![]() When he gets to the part about Taylor pretending to be "2000 miles from here", suddenly the grandeur of the St James seems ridiculous. ![]() Jack Johnson flops on stage in jeans, T-shirt and Jandals, breathes "Hey" into the microphone and launches into Taylor: "She just wanders around, unaffected by, the winter winds, yeah." It's a no-frills start, yet entirely appropriate for a guy who'd look more at home strumming his guitar in a hammock or by a fire on the beach. Jack Johnson's voice is mellow, sexy and effortlessly clear. |
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